Surrealism has always courted accidents, welcomed the uninvited, flattered disorderly presences. What could be more surreal than an object which virtually produces itself, and with a minimum of effort? An object whose beauty, fantastic disclosures, emotional weight are likely to be further enhanced by any new accidents that might befall it? It is photography that has best shown how to juxtapose the sewing machine and the umbrella, whose fortuitous encounter was hailed by a great surrealist poet as an epitome of the beautiful.
Susan Sontag, On Photography
All images shot in Paris in the summer of 2002









































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